{"id":2550,"date":"2016-10-24T15:13:13","date_gmt":"2016-10-24T15:13:13","guid":{"rendered":"http:\/\/casfaculty.case.edu\/ross-duffin\/?page_id=2550"},"modified":"2017-02-02T19:55:22","modified_gmt":"2017-02-02T19:55:22","slug":"muhi-3441-medren-tuning-examples","status":"publish","type":"page","link":"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/muhi-3441-medren-tuning-examples\/","title":{"rendered":"MUHI 3\/441 Med\/Ren Tuning Examples"},"content":{"rendered":"
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Pythagorean Tuning on Organ<\/strong><\/p>\n\n

Retrov\u00e9<\/i> from the Robertsbridge Codex (ca.1360)
\n performed by Peter Skuce on Pythagorean-tuned organ.
\n A Dance in the Garden or Mirth<\/i>, the Dufay Collective
\n Chandos CHAN 9320 (1994), trk 7 (excerpt)<\/p>\n

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Pythagorean Tuning for Voices<\/strong><\/p>\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/10\/24151843\/PythagVoicesMolins.mp3<\/a><\/audio>\n

De ce que fol pense<\/i> by Pierre des Molins (mid. 14th century)
\n performed by Gothic Voices in Pythagorean tuning
\n The Service of Venus and Mars<\/i>
\n Hyperion CDA 66238 (1987), trk 3.<\/p>\n

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Just Intonation (Medieval)<\/strong><\/p>\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/10\/24151841\/MedJustChantilly.mp3<\/a><\/audio>\n

Le mont Aon de Thrace<\/i>, anonymous Ars subtilior
\n performed by the Ferrara Ensemble, dir. Crawford Young.
\n Ballades a iii chans. <\/i>Arcana A 32 (1995), trk 9 (excerpt)<\/p>\n

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Just Intonation (Renaissance)<\/strong><\/p>\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/10\/24151846\/TallisJust.mp3<\/a><\/audio>\n

Lamentations of Jeremiah<\/i> by Thomas Tallis
\n performed by the Hilliard Ensemble
\n Thomas Tallis: Lamentations of Jeremiah<\/i>
\n ECM 1341 833 308-2 (1987), trk 1 (excerpt)<\/p>\n

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Further examples<\/strong><\/p>\n

\n<\/div>\n

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Meantone on Harpsichord<\/strong><\/p>\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/10\/24151839\/FarnabyHumor.mp3<\/a><\/audio>\n

His Humour<\/i> by Giles Farnaby (ca.1565-1640),
\n performed by Pierre Hantai, virginals.
\n Giles Farnaby’s Dream
\n <\/i>Adda 581172 (1990), trk 13<\/p>\n

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Meantone on a Fretted Instrument<\/strong><\/p>\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/10\/24151849\/vihuelaMT.mp3<\/a><\/audio>\n

Una cancion de Gombert del primer tono<\/i>
\n [chanson by Nicholas Gombert in the first mode]
\n intabulation from Los seys l\u00edbros<\/i> (1538) by Luis de Narvaez,
\n performed by Hopkinson Smith, vihuela
\n Luis de Narvaez: Los seys l\u00edbros del Delphim de m\u00fasica<\/i>
\n Astr\u00e9e E 8706 (1989), trk 17<\/p>\n

 <\/p>\n

Meantone on a Split-Key Harpsichord<\/strong><\/p>\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/10\/24151844\/splitkeyhpd.mp3<\/a><\/audio>\n

Toccata Terza & Ricercar sopra il Cimbalo Cromatico<\/i>
\n by Giovanni Maria Trabaci (1615)
\n performed by Christopher Stembridge, split-key harpsichord.
\n Consonanze Stravaganti.
\n <\/i>Ars Musici AM 1207-2 (1997), trk 13 (excerpt)<\/p>\n

 <\/p>\n

19-Note Equal Temperament<\/strong><\/p>\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/10\/24151837\/Blackwood19.8ve.mp3<\/a><\/audio>\n

Microtonal \u00c9tude for 19 Notes to the Octave<\/i>
\n by Easley Blackwood (b. 1933), polyfusion synthesizer
\n Blackwood: Microtonal Compositions
\n <\/i>Cedille Records CDR 90000 018 (1990), trk 13 (excerpt).<\/p>\n

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\n<\/div>\n

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\n<\/div>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

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