{"id":2266,"date":"2016-09-28T21:12:52","date_gmt":"2016-09-28T21:12:52","guid":{"rendered":"http:\/\/casfaculty.case.edu\/ross-duffin\/?page_id=2266"},"modified":"2017-02-02T19:54:35","modified_gmt":"2017-02-02T19:54:35","slug":"baroque-articulation-winds-general-comments","status":"publish","type":"page","link":"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/articulation-examples\/baroque-articulation-winds-general-comments\/","title":{"rendered":"Baroque Articulation Winds General Comments"},"content":{"rendered":"<div align=\"center\">\n<h2><span style=\"color: #000000;font-size: small\">General Comments<\/span><\/h2>\n<\/div>\n<div align=\"left\">\n<p><span style=\"color: #000000\">The basic articulation choices are t and r (the dental Italian r, rather than the French or English r).\u00a0 Mostly, leaps seem to be t t, whereas stepwise motion often shows an alternation.\u00a0 In the French style, the typical pattern is t t r t r for consecutive 8ths, with t r going across the beat where possible, and between a pickup note (or anticipation) and its follower.\u00a0 Faster notes (16ths) do not show the t t r t r pattern, but rather one with the beat (t r t r t).\u00a0 Consecutive r\u2019s do not seem to be a normal part of the style.<\/span><\/p>\n<p><span style=\"color: #000000\">The double tonguing shown by Quantz is did&#8217;ll, which involves a release of air around the sides of the tongue for the second half of the pattern, perhaps akin to the 16th-century descriptions of &#8220;<i>lingua riversa&#8221;<\/i> for the fastest articulations.<\/span><\/p>\n<p style=\"text-align: right\"><a href=\"http:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/\">Back to Multimedia Menu<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>General Comments<\/p>\n<p>The basic articulation choices are t and r (the dental Italian r, rather than the French or English r).\u00a0 Mostly, leaps seem to be t t, whereas stepwise motion often shows an alternation.\u00a0 In the French style, the typical pattern is t t r t r for consecutive 8ths, with t r going across the beat where possible, and between a pickup note (or anticipation) and its follower.\u00a0 Faster notes (16ths) do not show the t t r t r pattern, but rather one with the beat (t r t r t).\u00a0 Consecutive r\u2019s do not seem to be a normal part of the style.<\/p>\n<p><a href=\"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/articulation-examples\/baroque-articulation-winds-general-comments\/\" class=\"more-link\">Continue reading&#8230; <span class=\"screen-reader-text\">Baroque Articulation Winds General Comments<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":2180,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2266"}],"collection":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/comments?post=2266"}],"version-history":[{"count":2,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2266\/revisions"}],"predecessor-version":[{"id":2275,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2266\/revisions\/2275"}],"up":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2180"}],"wp:attachment":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/media?parent=2266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}