{"id":2257,"date":"2016-09-28T21:08:42","date_gmt":"2016-09-28T21:08:42","guid":{"rendered":"http:\/\/casfaculty.case.edu\/ross-duffin\/?page_id=2257"},"modified":"2017-09-07T15:03:29","modified_gmt":"2017-09-07T15:03:29","slug":"muhi-baroque-articulations-winds-double-tonguing","status":"publish","type":"page","link":"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/articulation-examples\/muhi-baroque-articulations-winds-double-tonguing\/","title":{"rendered":"MUHI Baroque Articulations Winds Double Tonguing"},"content":{"rendered":"

\n Quantz, Versuch einer Anweisung die Fl\u00f6te traversiere zu spielen<\/i> (Berlin, 1752)<\/b>
\n <\/b>Note: Neither Hotteterre nor Freillon-Poncein show any syllables for double-tonguing. Quantz’s syllables, did’ll, show a kind of swallowing of the second half of the pattern, so that the air escapes around the sides of the tongue, creating a much softer articulation and allowing tremendous speed. This example shows the standard pattern for double-tonguing.<\/span><\/p>\n

\"quantz-double1\"<\/a><\/p>\n

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Quantz, Versuch einer Anweisung die Fl\u00f6te traversiere zu spielen<\/i> (Berlin, 1752)<\/b>
\n <\/b>Note: This shows how Quantz breaks the pattern for leaps, using a harder articulation for the note of arrival after the leap.<\/span><\/p>\n

\"quantz-double2\"<\/a><\/p>\n

 <\/p>\n

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 <\/p>\n

 <\/p>\n

 <\/p>\n

Quantz, Manuscript exercises with autograph tonguings<\/i><\/b>
\n <\/b>Note: This is an interesting example from Quantz’s manuscript articulations. Omitting the syllable on the notes of arrival, to me implies that there is a simple release of air, like did’ll’a<\/b>, which can work for this kind of figure at extremely fast tempos.<\/span><\/p>\n

 <\/p>\n

\"quantz-double4\"<\/a>\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Back to Multimedia Menu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\n Quantz, Versuch einer Anweisung die Fl\u00f6te traversiere zu spielen<\/i> (Berlin, 1752)<\/b>
\n <\/b>Note: Neither Hotteterre nor Freillon-Poncein show any syllables for double-tonguing. Quantz’s syllables, did’ll, show a kind of swallowing of the second half of the pattern, so that the air escapes around the sides of the tongue, creating a much softer articulation and allowing tremendous speed. This example shows the standard pattern for double-tonguing.<\/p>\n

<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Quantz, Versuch einer Anweisung die Fl\u00f6te traversiere zu spielen<\/i> (Berlin,<\/b><\/p>\n

Continue reading… MUHI Baroque Articulations Winds Double Tonguing<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":2180,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2257"}],"collection":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/comments?post=2257"}],"version-history":[{"count":7,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2257\/revisions"}],"predecessor-version":[{"id":2922,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2257\/revisions\/2922"}],"up":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2180"}],"wp:attachment":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/media?parent=2257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}