{"id":2252,"date":"2016-09-28T21:05:22","date_gmt":"2016-09-28T21:05:22","guid":{"rendered":"http:\/\/casfaculty.case.edu\/ross-duffin\/?page_id=2252"},"modified":"2017-02-02T19:54:35","modified_gmt":"2017-02-02T19:54:35","slug":"muhi-baroque-articulations-winds-triplets","status":"publish","type":"page","link":"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/articulation-examples\/muhi-baroque-articulations-winds-triplets\/","title":{"rendered":"MUHI Baroque Articulations Winds Triplets"},"content":{"rendered":"

Jean-Pierre Freillon-Poncein, La V\u00e9ritable Mani\u00e8re d’apprendre \u00e0 jouer en perfection du hautbois, de la fl\u00fbte et du flageolet<\/i> (Paris, 1700). Ex. C excerpt.
\n <\/b>Note:\u00a0 There is no corresponding Hotteterre example.\u00a0 H. calls for t on all long notes, including quarters.\u00a0 F-P not only uses t r for unaccented note in long-short pattern in simple triple, but shows it even in the hemiola of the first measure here (Mather leaves off 1st measure in quoting this Ex.), along with the long-short of the faster triple groupings.\u00a0 Three equal notes in triple are done t r t.\u00a0 Parallel to | V |\u00a0 | V | bowing.\u00a0 H. shows t t t even for equal eighths in 3\/8.<\/p>\n

\"artic14\"<\/a><\/p>\n

Quantz, Versuch einer Anweisung die Fl\u00f6te traversiere zu spielen<\/i> (Berlin, 1752)<\/b>Note: This shows Quantz’s standard double-tonguing syllables, did’ll, used in a triplet situation. The pattern seems to be did’ll di as a standard, but a leap calls for adjustment to articulate the leap, as in the first triplet shown. The did’ll di pattern seems to be analogous to F-P’s tu ru tu, although it would presumably be used only where the tempo made double tonguing preferable.<\/span><\/p>\n

\"quantz-double3\"<\/a><\/p>\n

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Back to Multimedia Menu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jean-Pierre Freillon-Poncein, La V\u00e9ritable Mani\u00e8re d’apprendre \u00e0 jouer en perfection du hautbois, de la fl\u00fbte et du flageolet<\/i> (Paris, 1700). Ex. C excerpt.
\n <\/b>Note:\u00a0 There is no corresponding Hotteterre example.\u00a0 H. calls for t on all long notes, including quarters.\u00a0 F-P not only uses t r for unaccented note in long-short pattern in simple triple, but shows it even in the hemiola of the first measure here (Mather leaves off 1st measure in quoting this Ex.), along with the long-short of the faster triple groupings.\u00a0 Three equal notes in triple are done t r t.\u00a0<\/p>\n

Continue reading… MUHI Baroque Articulations Winds Triplets<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":2180,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2252"}],"collection":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/comments?post=2252"}],"version-history":[{"count":4,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2252\/revisions"}],"predecessor-version":[{"id":2810,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2252\/revisions\/2810"}],"up":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2180"}],"wp:attachment":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/media?parent=2252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}