{"id":2220,"date":"2016-09-28T20:32:03","date_gmt":"2016-09-28T20:32:03","guid":{"rendered":"http:\/\/casfaculty.case.edu\/ross-duffin\/?page_id=2220"},"modified":"2017-02-02T19:54:35","modified_gmt":"2017-02-02T19:54:35","slug":"muhi-baroque-articulations-gigue","status":"publish","type":"page","link":"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/articulation-examples\/muhi-baroque-articulations-gigue\/","title":{"rendered":"MUHI Baroque Articulations Strings Gigue"},"content":{"rendered":"

Muffat Gigue<\/b>
\nNote: * show deviations from standard (rule VIII) according to Muffat, on account of the speed.\u00a0 Gives | on 1st note but against standard pattern for dotted triplets.\u00a0 | on 1 maintained.<\/p>\n

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Mont\u00e9clair Gigue
\n<\/b>Note:\u00a0 in the upper bowing, the double pickup bowing is reversed from Muffat<\/b>, causing immediate retake.\u00a0 Obviously, speed isn’t only criterion on whether retake is possible or desirable.\u00a0 After that top is mostly as it comes.\u00a0 Most surprising is use of V for beat 1 in almost every measure in the bottom bowing (Rule of down-bow!?)\u00a0 Why not Muffat’s solution?\u00a0 It seems to be most important to Mont\u00e9clair to use V | for double pickup, sacrificing down-bow on 1 for inexperienced players.\u00a0 (Ending, esp. in top, using V for last note, craquer after long note)\u00a0 Mont\u00e9clair also shows frequent retakes in mid-measure of his Loure\u2014slow gigue\u2014example (not shown).<\/p>\n

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Back to Multimedia Menu<\/a><\/p>\n

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Muffat Gigue<\/b>
\nNote: * show deviations from standard (rule VIII) according to Muffat, on account of the speed.\u00a0 Gives | on 1st note but against standard pattern for dotted triplets.\u00a0 | on 1 maintained.<\/p>\n

<\/a><\/p>\n

Mont\u00e9clair Gigue
\n<\/b>Note:\u00a0 in the upper bowing, the double pickup bowing is reversed from Muffat<\/b>, causing immediate retake.\u00a0 Obviously, speed isn’t only criterion on whether retake is possible or desirable.\u00a0 After that top is mostly as it comes.\u00a0 Most surprising is use of V for beat 1 in almost every measure in the bottom bowing (Rule of down-bow!?)\u00a0 Why not Muffat’s solution?\u00a0<\/p>\n

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