{"id":2214,"date":"2016-09-28T20:28:58","date_gmt":"2016-09-28T20:28:58","guid":{"rendered":"http:\/\/casfaculty.case.edu\/ross-duffin\/?page_id=2214"},"modified":"2017-02-02T19:54:34","modified_gmt":"2017-02-02T19:54:34","slug":"muhi-baroque-articulation-sarabande","status":"publish","type":"page","link":"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/articulation-examples\/muhi-baroque-articulation-sarabande\/","title":{"rendered":"MUHI Baroque Articulation Sarabande"},"content":{"rendered":"<p><b>Dupont Sarabande<\/b><br \/>\n Note:\u00a0 <b>Surprise!\u00a0 No retake on second note<\/b> (Muffat doesn&#8217;t give Sarabande).\u00a0 Retake sometimes articulates 2 m. groups where craquer isn&#8217;t possible.\u00a0 1st phrase ends with V.\u00a0 2nd and 3rd last m. show hemiola bowing like end of Mont\u00e9clair Passepied in bottom.<\/p>\n<p><a href=\"http:\/\/casfaculty.case.edu\/ross-duffin\/muhi-baroque-articulation-sarabande\/artic9\/\" rel=\"attachment wp-att-2215\"><img loading=\"lazy\" class=\"alignleft size-large wp-image-2215\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202834\/Artic9-1024x305.jpg\" alt=\"artic9\" width=\"1024\" height=\"305\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202834\/Artic9-1024x305.jpg 1024w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202834\/Artic9-300x89.jpg 300w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202834\/Artic9-768x229.jpg 768w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202834\/Artic9-500x149.jpg 500w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202834\/Artic9.jpg 1137w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Mont\u00e9clair Sarabande<br \/>\n <\/b>Note:\u00a0 Show same pattern for Sarabande characteristic rhythm.\u00a0 Lots of retakes.\u00a0 One exception in 2nd m., 2nd strain where the pattern is modified, perhaps to accommodate port de voix\u2014smoothness of alternation?<\/p>\n<p><a href=\"http:\/\/casfaculty.case.edu\/ross-duffin\/muhi-baroque-articulation-sarabande\/artic10\/\" rel=\"attachment wp-att-2216\"><img loading=\"lazy\" class=\"alignleft size-large wp-image-2216\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202837\/Artic10-1024x291.jpg\" alt=\"artic10\" width=\"1024\" height=\"291\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202837\/Artic10-1024x291.jpg 1024w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202837\/Artic10-300x85.jpg 300w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202837\/Artic10-768x219.jpg 768w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202837\/Artic10-500x142.jpg 500w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/135\/2016\/09\/28202837\/Artic10.jpg 1128w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p style=\"text-align: right\"><a href=\"http:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/\">Back to Multimedia Menu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p><b>Dupont Sarabande<\/b><br \/>\n Note:\u00a0 <b>Surprise!\u00a0 No retake on second note<\/b> (Muffat doesn&#8217;t give Sarabande).\u00a0 Retake sometimes articulates 2 m. groups where craquer isn&#8217;t possible.\u00a0 1st phrase ends with V.\u00a0 2nd and 3rd last m. show hemiola bowing like end of Mont\u00e9clair Passepied in bottom.<\/p>\n<p><a href=\"http:\/\/casfaculty.case.edu\/ross-duffin\/muhi-baroque-articulation-sarabande\/artic9\/\" rel=\"attachment wp-att-2215\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Mont\u00e9clair Sarabande<br \/>\n <\/b>Note:\u00a0 Show same pattern for Sarabande characteristic rhythm.\u00a0 Lots of retakes.\u00a0 One exception in 2nd m., 2nd strain where the pattern is modified, perhaps to accommodate port de voix\u2014smoothness of alternation?<\/p>\n<p><a href=\"http:\/\/casfaculty.case.edu\/ross-duffin\/muhi-baroque-articulation-sarabande\/artic10\/\" rel=\"attachment wp-att-2216\"><\/a><\/p>\n<p style=\"text-align: right\"><a href=\"http:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/\">Back to Multimedia Menu<\/a><\/p>\n<p><a href=\"https:\/\/casfaculty.case.edu\/ross-duffin\/muhi-3441-multimedia\/articulation-examples\/muhi-baroque-articulation-sarabande\/\" class=\"more-link\">Continue reading&#8230; <span class=\"screen-reader-text\">MUHI Baroque Articulation Sarabande<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":2180,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2214"}],"collection":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/comments?post=2214"}],"version-history":[{"count":7,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2214\/revisions"}],"predecessor-version":[{"id":2806,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2214\/revisions\/2806"}],"up":[{"embeddable":true,"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/pages\/2180"}],"wp:attachment":[{"href":"https:\/\/casfaculty.case.edu\/ross-duffin\/wp-json\/wp\/v2\/media?parent=2214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}